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By Noah Isenberg and Walter Benjamin

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TerryEagleton,"Homageto WalterBenjamin,"WalterBenjamin;or, Towards a RevolutionaryCriticism(London& New York:Verso, 1981) 183. 148 Benjamin in the Age of Information remarked, in his opening dedication to Walter Benjamin's Passages, his sustainedengagementwith the work of Benjaminappearedat times (in the view of his wife) like a menage a trois. "74Where,then, does Benjamincriticismstandat the end of the century? To be sure, the reasons for the emergenceof a flourishingBenjamin industryare numerous:the diffuse natureof Benjamin'swork, its vast citability,and its seeming capacityto transcenddisciplinaryboundaries on the one hand;the dramaticbiographyof its author,his marginalposition, and his telegenic demeanoron the other.

When he penned these seemingly portentouswords, lest we forget, Benjamindid not yet have his own Web page. 81. TheMass Ornament57.

Jamin, Theoretikerder Moderne,ed. Werkbund-Archiv 72. See Wolff, "Memoirs and Micrologies" 116-17. The fact thathe died at the handsof fascismwas of coursetantamountto such readings. 73. TerryEagleton,"Homageto WalterBenjamin,"WalterBenjamin;or, Towards a RevolutionaryCriticism(London& New York:Verso, 1981) 183. 148 Benjamin in the Age of Information remarked, in his opening dedication to Walter Benjamin's Passages, his sustainedengagementwith the work of Benjaminappearedat times (in the view of his wife) like a menage a trois.

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The Work of Walter Benjamin in the Age of Information by Noah Isenberg and Walter Benjamin


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