New PDF release: The Absolute and Star Trek

By George A. Gonzalez

ISBN-10: 3319477935

ISBN-13: 9783319477930

ISBN-10: 3319477943

ISBN-13: 9783319477947

This quantity explains how celebrity Trek permits audience to appreciate major features of Georg Hegel’s suggestion absolutely the, the motive force at the back of history.

Gonzalez, with wit and knowledge, explains how megastar Trek shows critical parts of absolutely the. He describes how subject matters and ethos imperative to the express exhibit the concept that fantastically. for example, the exhibit posits that individuals needs to own the proper attitudes so that it will result in an excellent society: a dedication to social justice; an unyielding dedication to the reality; and an analogous dedication to clinical, highbrow discovery. those features function excellent embodiments of Hegel’s conceptualization, and Gonzalez's research is sharp and exacting.

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Extra info for The Absolute and Star Trek

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62) This higher plane of existence, however, requires the overthrow of the neoliberal order. S. Civil War (see later in the text), and the American fight against Fascism (“City on the Edge of Forever” 1967—original series), Star Trek adds to America’s revolutionary “moments” with the Bell Uprising. Aired in 1995, “Past Tense” (Deep Space Nine) is centered on this fictional uprising. The characters Sisko, Bashir, and Dax are accidentally sent back to 2024 San Francisco, where, like in “City on the Edge of Forever,” they alter Earth’s history for the worse.

According to Star Trek, the pessimism and skepticism of Nietzsche et al. would lead humanity astray, and straight toward destruction. CHAPTER 6 Star Trek and Language: Dasein or Speculation? Abstract Star Trek offers a fictional representation of a society/culture whose language is rooted in its Dasein (cultural practices, history, allegories, and mythical tales). Star Trek’s fictional portrayal of such a language and society strongly suggests that it is implausible that such a society could exist, and, more importantly, advance into a technologically advanced civilization.

Picard takes this opportunity and never gets stabbed, nor receives a mechanical heart—allowing him to putatively keep living beyond the accident that later kills him. After Picard avoids getting stabbed, Q returns him to the present where he finds he is no longer Captain of the Enterprise and determines that he does not like himself now: “I can’t live out my days as that person. That man is bereft of passion and imagination. ” Q explains to Picard that without coming close to death (with his “Nausicaan” impaling) he remained rather inured to the reality that the opportunities to contribute to the progressive dialectic are inherently finite: The Jean-Luc Picard you wanted to be, the one who did not fight the Nausicaan, had quite a different career from the one you remember.

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The Absolute and Star Trek by George A. Gonzalez


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